Paper
24 January 2012 Dark texture in artworks
Author Affiliations +
Proceedings Volume 8292, Color Imaging XVII: Displaying, Processing, Hardcopy, and Applications; 82920H (2012) https://doi.org/10.1117/12.915374
Event: IS&T/SPIE Electronic Imaging, 2012, Burlingame, California, United States
Abstract
This presentation highlights issues relating to the digital capture printing of 2D and 3D artefacts and accurate colour reproduction of 3D objects. There are a range of opportunities and technologies for the scanning and printing of two-dimensional and threedimensional artefacts [1]. A successful approach of Polynomial Texture Mapping (PTM) technique, to create a Reflectance Transformation Image (RTI) [2-4] is being used for the conservation and heritage of artworks as these methods are non invasive or non destructive of fragile artefacts. This approach captures surface detail of twodimensional artworks using a multidimensional approach that by using a hemispherical dome comprising 64 lamps to create an entire surface topography. The benefits of this approach are to provide a highly detailed visualization of the surface of materials and objects.
© (2012) COPYRIGHT Society of Photo-Optical Instrumentation Engineers (SPIE). Downloading of the abstract is permitted for personal use only.
Carinna Parraman "Dark texture in artworks", Proc. SPIE 8292, Color Imaging XVII: Displaying, Processing, Hardcopy, and Applications, 82920H (24 January 2012); https://doi.org/10.1117/12.915374
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CITATIONS
Cited by 2 scholarly publications.
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KEYWORDS
Printing

3D printing

Visualization

Volume rendering

Head

3D image processing

Additive manufacturing

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