Proceedings Volume Laser Techniques and Systems in Art Conservation, (2001) https://doi.org/10.1117/12.445645
Just as lasers have found countless applications in science, industry, medicine, and entertainment, an array of real and potential uses for lasers in art-conservation analytes and practice have been investigated over the past thirty years. These include holographic recording, holographic recording, holographic nondestructive testing, laser-induced ultrasonic imaging, laser-scattering surface characterization, atomic and molecular analyses, photoacoustic spectroscopy, surface modification, as well as surface divestment and cleaning. The initial endeavors in exploring and assessing the utility of these tools for art conservation are recounted for investigations involving ruby, glass, ion, YAG, carbon dioxide, dye, and excimer lasers as well as high-intensity nonlaser light generators such as xenon flashlamps and argon pinchlamps. Initially, laser divestment/cleaning was, by general consensus, the least plausible laser application in art conservation. In the past ten years it has emerged to dominate all the other applications noted above. Today, at least a dozen firms supply user-friendly laser systems optimized for a range of art-conservation divestment applications. The first-generation laser-cleaning tools are essentially a laser, a beam-delivery device, and a debris- collection accessory. Advanced developmental work has turned in large measure to ancillary subsystems for more sophisticated process control. Of particular importance are acoustic, optical, spectral, EMP, and electronic-vision process control. Beam direction may be via manual, translational-scanner, or robotic beam positioning implemented by means of fiber optics, minors, or prisms and computer control. Substrate thermal alteration and debris redeposition may be minimized or avoided through the incorporation of a gas jet, fluid or fluid jet, or dry-ice blast.