This study delves into the emotional engagement elicited by displaying holograms in museum settings, offering a comprehensive analysis of visitors’ emotional responses and the technological features that influence them. Utilising a qualitative approach complemented by a TF-IDF analysis, the research gathered data from diverse participants who experienced holographic exhibits. The study revealed a range of emotional responses, with ‘Curiosity’ and ‘Amazement’ being predominant, signifying the ability of the display of holograms to enhance visitor engagement and learning experiences significantly. Key technological aspects of holography, such as display method, colour, and three-dimensionality, were crucial in eliciting strong emotional responses and deepening understanding of the exhibit content. The study also highlighted the long-term impact of these experiences, suggesting that the display of holograms can leave a lasting impression and foster sustained interest in museum visits. This study enriches the field of museology by shedding light on the emotional dimensions of visitor interactions with holographic technology. The findings reveal the significant potential of holography to deepen visitor engagement, suggesting that, when effectively implemented, the display of holograms can significantly elevate the museum experience. This research highlights the importance of understanding and catering to visitors’ emotional and experiential needs in the evolving landscape of museum exhibit design.
Bonsai, an art form that condenses nature into a miniature scale, encapsulates not only the vastness of the world within a limited space but also mirrors the inner world of humans. Holograms, as mediums that record the light wave information of objects, are seen as creations of light, capable of replicating everything. This study aims to transcend traditional narrative methods in bonsai art by integrating the practice of bonsai with holographic imaging. By doing so, it seeks to create bonsai works with a novel aesthetic, offering viewers an entirely new context for contemplation and experience. Based on artistic practice, this paper presents three experimental sets of holographic art works. It also summarizes four advantages of holographic technology in the re-creation and innovation of bonsai art, analyzed from an interdisciplinary perspective.
In contemporary art exhibitions, installation art occupies a significant position, displaying diversity in theme selection, cultural orientation, value positioning, medium application, emotional direction, and creative methods. Hologram, as a visual art medium emerging from the fusion of science and art, is characterized by its innovativeness, exploratory nature, and experimental qualities. This paper focuses on the construction of holographic art installations, discussing in detail the five elements of holographic installation art construction and the seven-step production process of holographic installation artwork. It includes an in-depth analysis of the holographic installation artwork "Within Reach" as a case study.
Most existing holographic display methods concentrate on real object reconstruction, but there is a lack of research on object stories (revealing and presenting histories). To address this challenge, we propose a method, called 4 ‘ER’ (leader, manager, implementer, presenter) to experience and respond objects in a special immersive environment. The key innovation of the 4’ER’ method is to introduce the stories (political, historical, etc.) into hard copy holography, so as to synergy art and science for museum objects display. The hologram of an imitation of a blue and white porcelain jar from The Palace Museum, Beijing, China has been made, showing good performance and reflecting different pathway to knowledge.
KEYWORDS: Digital holography, Holography, 3D modeling, Photography, Holograms, Telescopes, Virtual reality, 3D image processing, 3D printing, Visual process modeling
Only nature can create, whereas humans can only re-create. This article is an exploration of synergies between art and science in digital holography in relation to art practice and the making of holograms as art works. This is achieved through involvement in the re-creation of a real object (a telescope) as a case study. A digital three-dimensional model suitable for holographic hard copy re-creation is produced. To explore special and immersive environment, real geographical landscape background from Google Earth is added to the model. After a brief introduction to visual art within the context of two and three-dimensional imaging in the form photography and holography, the whole process of producing the three-dimensional model and the environment in which it should be presented, ready for holographic printing is explained.
Access to the requested content is limited to institutions that have purchased or subscribe to SPIE eBooks.
You are receiving this notice because your organization may not have SPIE eBooks access.*
*Shibboleth/Open Athens users─please
sign in
to access your institution's subscriptions.
To obtain this item, you may purchase the complete book in print or electronic format on
SPIE.org.
INSTITUTIONAL Select your institution to access the SPIE Digital Library.
PERSONAL Sign in with your SPIE account to access your personal subscriptions or to use specific features such as save to my library, sign up for alerts, save searches, etc.